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Hellen Chadwick's 1977 performance/installation In the Kitchen typifies her initial involvement with the feminist art of the 70s.
She encased four models in modern appliances, using metal frames so they could still move around the gallery at will. The machines then became humanlike, with electric rings turning into breastplates and the spin-dryer's drum became openly equated with a womb. The models' faces and expressions remained enigmatic, symbolising the female body as a machine paralleling the idea that we are not our own property, that we are not ourselves. (via)
en.wikipedia.org/wiki/Helen_Chadwick [en.wikipedia.org/wiki/Helen_Chadwick]
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